A Buddhist Philosophy of Literature: outlining Yogacara Buddhism with Miyazawa Kenji and Huey P. Newton
Resumo
What we characterise as being “Buddhist” has a two-fold aim: First, it is designed to drive each self to think about its existential condition and to find a solution to its fundamental problem deriving from the fact that it is a sentient, transient being. Second, any theories in Buddhism are to serve as a guiding post for readers to navigate themselves in their lives towards the cessation of suffering (nirvana). To show this two-fold characteristic of Buddhist literature, this paper will first explain the metaphysical framework of Buddhist philosophy in reference to Yogacara Buddhism. To show what this Buddhist philosophy of literature looks like in practice, we will also conduct a comparative study of two thinkers from Japanese and Africana philosophies: namely, Miyazawa Kenji and Huey P. Newton. The works of this underrepresented pair in the field of world philosophies will help us understand the point of (Yogacara) Buddhism and simultaneously prove to be an instance of Buddhist literature par excellence.
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O que caracterizamos como “budista” possui um duplo objetivo: primeiro, visa levar cada indivíduo a refletir sobre sua condição existencial e a encontrar uma solução para seu problema fundamental, decorrente do fato de ser um ser senciente e transitório. Segundo, qualquer teoria no budismo serve como um guia para que os leitores orientem suas vidas em direção à cessação do sofrimento (nirvana). Para demonstrar essa dupla característica da literatura budista, este artigo explicará inicialmente a estrutura metafísica da filosofia budista com base no Yogacara. Em seguida, para ilustrar como essa filosofia budista da literatura se manifesta na prática, realizaremos um estudo comparativo entre dois pensadores das filosofias japonesa e africana: Miyazawa Kenji e Huey P. Newton. As obras desse par pouco explorado no campo das filosofias mundiais nos ajudarão a compreender o cerne do budismo Yogacara e, ao mesmo tempo, servirão como um exemplo paradigmático de literatura budista.
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